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Showing posts from February, 2016

Romantic Tension--and Dance!

I like stretched comparisons. So when my husband and I were practicing our lindy in the kitchen the other night, and I was paying some extra attention to the tension in our arms and torsos, I started to think about how that related to writing, too. In particular--how tension, as it does in dancing, defines the movement between two partners in a written relationship.  

So, in honor of Valentine's Day weekend, a little post on romantic relationships and the dance they create.  

With examples from swing dancing.

First up--in partnered swing dancing, we use "tension" to mean the body position of both partners, the connection between the two partners, and how the lead's movements direct the follow and the follow responds. By the way, I use "lead and follow" not "guy and girl" because leads can be girls and follows can be guys! Plus, it's more descriptive of what the roles actually do, and it's not a gender thing--it's a dance thing.  Proof--t…

Resisting the Gross in Non-Contemporary Lit

I'm sure we've all seen the lists and click-bait articles, like Ten Revolting Facts About the 18th Century.  And we've definitely read it and viewed it in books, movies and TV.  Some time ago, Terry Dresbach, the costume designer for Outlander, posted an extensive blog about All That Is Icky in the Eighteenth Century.  She has since removed the post, but there's a response that discusses it in depth here.  All in all, the peasant's explanation in Monty Python and the Holy Grail that he could tell that the king was a king "because he doesn't have any shit on him" seems, in fact, quite adequate in light of what we "know" about historical hygiene and cleanliness norms.

Fact is, much of it is pure crap.

As writers, this becomes problematic.  We either accept the current concept on non-modern norms (whether writing historical, fantasy, or speculative fiction), or risk accusations of (or actual) "romanticizing" of these spaces.  Frankly,…